PAST EXHIBITIONS
2025
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Bukas | January
Group Show
n the exhibition "Framed," I embrace the medium of oil painting, a discipline that harkens back to my foundational artistic roots. This transition, influenced by my current experience of pregnancy, represents a harmonious blend of life's creative forces with artistic expression. As an sculptor, this temporary shift to painting is not a deviation, but a reconnection with the primal elements of my artistic practice.
Forever Young | January
Martin Maturan
In Forever Young, Martin Maturan unveils a new collection of oil on canvas works that deeply explore how important it is to heal the inner child. In this latest exhibition of recent works, the artist delves into the delicate process of revisiting formative experiences, acknowledging hidden wounds, and embracing the innocence and joy that once defined our youth.
Skybound | January
Mac-J Turla
In his fifth solo exhibition, Skybound, Mac-J Turla invites us into a world where daydreaming reigns supreme—a realm of unfettered imagination and creative exploration. Through a series of evocative works, Turla celebrates the gentle, unstructured moments that allow the mind to wander and ideas to take flight, particularly within the context of the artistic process
Paniniwala | February
Manny Garibay
What do we believe, and why do we believe in it? Paniniwala explores the evolution of faith as a cultural force, and how it has been shaped, institutionalized, and even weaponized throughout history. In this exhibition, Emmanuel Garibay dissects belief not as an abstract ideal but as a lived reality influenced by socio-political factors. His works challenge the ways by which faith has been used to impose identity and mold public consciousness.
Illimité | March
Sal Ponce-Enrile
In her solo exhibition Illimité, Sal Ponce-Enrile delves into the boundless nature of painting, where abstraction and figuration can hold their own respective spaces, and where the interior world and the visible world find a point of convergence. The exhibition explores the limitless possibilities of the medium, revealing a deep engagement with form, color, and the expressive potential of the artist’s brush.
Echo Systems | April
Group Show
We live in a time defined by plurality and multiplicity, propelled by the flattening of temporal and spatial experience through the a-historical archive of the Internet and the hyper-curated simulation of social media. The once stable ground of a shared reality has fractured into splinters, each piece orbiting its own set of references. Daniel refers to this rupture as the severance “between the signifier and the signified”—a linguistic and semiotic dislocation where meaning no longer holds.
Guhit sa Tubig | March
Yas Sehob
Water remembers. It carves and erases, holding memory in its depths while washing it away with the next tide. Yasmin Sehob knows this intimately. In her first solo exhibition, Guhit sa Tubig, she dives headfirst into a paradox: recreating what was lost—childhood photographs devoured by the floodwaters of Ondoy—while embracing the impossibility of ever truly recovering them.
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Compass | April
Group Show
Amidst all the confusion, precarity, and pessimism that surround us, as artists we have a compelling need to make sense of it all. In our works and practice we try to manifest positivity while finding peace and stillness despite the chaos. The works in this exhibition are meditative and repetitive rituals in our processes; replete with devotions, wishes, and contemplations. We hope to unite, intersect and fuse these visual mantras and invocations for collective care, meaningful linkages, and parity for all.
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Sampalataya | May
Max Balatbat
In Sampalataya, Max Balatbat returns to the neighborhood that made him—a place in Caloocan where desperation was part of the daily rhythm, and yet, somehow, prayer still found its way through. This solo exhibition is an act of reckoning: with faith, with survival, with the complicated dignity of lives lived in the margins.
Kitasabitak | May
Doktor Karayom
In KITASABITAK, Doktor Karayom steps into the literal and figurative fissures of memory, faith, and form. In what may be his most pensive exhibition yet, he turns to the image of the santo: broken, dismembered, forgotten, but never discarded. A figure once revered on pedestals is reexamined not for its divinity, but for the cracks that have come to define it.
Aeternum Dolorem | April
Melvin Guirhem
AETERNUM DOLOREM, Melvin Guirhem’s 13th solo exhibition, invites you to comprehend pain—that mysterious ‘frenemy’ who indiscreetly lurks in the shadows—as authentic, constant, indestructible, and, in a sense, eternal.
A Latin phrase that means “eternal pain,” AETERNUM DOLOREM presents a collection of handcrafted textile art that instantly draws attention to Guirhem's semiotic perspective on family and kinship. Appropriately rendered in the horror vacui idiom are allegorical depictions of his own malignant familial narrative, conjuring images of chaos, anguish, and pain.
Mid-Career Crisis | June
Cedrick Dela Paz
In Mid-Career Crisis, Cedrick Dela Paz turns inward, scrutinizing not only the outcomes of painting but the act itself—its routines, pressures, and evolving meaning in an artist’s life. This exhibition locates itself within that difficult middle point in an artistic career, when early promise has matured into responsibility, yet the clarity of legacy or mastery remains unsettled. The title alone points to a transitional moment that many artists experience: a space where youthful uncertainty is no longer a valid excuse, and the expectations—internal and external—begin to mount.
AI: Artificial Inteligence | June
Demi Padua
In Artificial Identity (Ai), Demi Padua turns his gaze toward the shifting landscape of creativity in the age of artificial intelligence. With a few well-worded prompts, tasks once reserved for trained specialists—architects, designers, artists—can now be carried out by anyone. This democratization, while remarkable, brings with it a quiet unease: when the process of becoming is replaced by instant simulation, what happens to the integrity of the self?
Object's Nature, Nature's Object | June
Jep Dizon
In Object’s Nature, Nature’s Object, Jep Dizon turns to the still life as a formal exercise in balance and beauty, as well as a psychic chamber where the rawness of nature and the artifacts of human thought collide. A flower poised in a wine cup, a marble bust stilled in contemplation, a crow perched, a snail inching forward, a book closed like a breath held—these images, calmly arrayed, hum with symbolic charge. They are not still, but vibrating with the aftershocks of living.